Review of Eternity by John Lyell

Releasing on March 20, 2012

Eternity by John Lyell

 

 

 

 

 

Eternity is John Lyell’s second solo release and his fourth release total counting the two releases he did with Brent Reiland from 1998 and 2002.  Eternity is pretty much a one man show for John who composed, performed, engineered and produced this new album at Light Year Studios in Minneapolis, MN. Heck he even did the graphic design, the layout and the art concept of the project as well. The only thing that was outsourced so to speak was the digital mastering which was done by another well-known talent in the ambient music field in the person of Robert Rich in his Soundscape Studios in Mountain View, CA.  John has included 10 wonderful tracks on this release with only two of them falling below the 6 minute threshold so listeners are in for some excellent long form pieces that will allow them to really enter into each composition and into the album as a whole. The album runs a little over an hour at 63:17.

First off let me say that I love this album as a whole. The compositions are well suited to each other and even as the tempo occasionally changes it does not disrupt the flow of where the music wants to take you. John has created some fantastic otherwordly moods on this album which envelopes you in densely atmospheric soundscapes that massage the mind allowing you to open to the journey before you. The song titles tell me that the journey is one that could be an extra planetary voyage beyond this world or perhaps a journey within yourself as you contemplate the meaning of eternity or exactly what forever might mean to you. Either way the music is well suited to providing a soundtrack to that journey because whether you journey within or without the compositions stir just the right kinds of emotions as you listen.

The album starts with a deep spacey kind of song called Eternity. It is a contemplative and peaceful song that allows the listener to untether themselves from their day to day worries and enter in fully to the world that John has created with this album. It is fitting that this is also the title song of the album as well since it does indeed set the pace for what is to come. I have always enjoyed pieces that engage me as a listener and invite me to “hear” the music actively instead of lurking passively in the background while I am busy doing something else. Don’t get me wrong I also enjoy purely ambient music that requires nothing of me other than to load the disc in my player and go about my business letting the music break into my consciousness whenever I have a break in what I am doing. It’s just that I have always liked to pay attention to what I am listening to whether that is the lyrics in a new rock song or a layered piece of ambient/space music by John Lyell. By the way Eternity is one of my favorite songs on this album. Of course I could probably say that about most of the songs on here but this one does stand out to me. The song has a mysterious haunting quality to it that evokes images of unfamiliar waters or uncharted space all the while creating a sense of adventure in the back of your mind about where the music will ultimately lead you.

Some of my other favorite tracks from this release are Dreams of Orion, Pulse of Destiny and the closing song called The Breath of Time. Pulse of Destiny is the first song that you might say has a beat or some sort of rhythm. The repeating rhythm that flows through this whole song is an apt way of looking at destiny in that it illustrates perfectly the inevitable movement of things and events towards a predetermined conclusion. While this pulse is moving the song forward you will also hear water sounds along the way and other synths that punctuate the journey adding some sonic variations to the landscape. Another interesting song that actually caused me to write to John on first listen was Vector Atmospheres which is track three on this CD. After repeated listening’s I understand it now but I thought that there was some unintentional static on this track at first. John explained that it was meant to be there and that he used a Synth Patch to create it. So for the first time through just be aware that the static is meant to be where John placed it.

John has created in Eternity an album that is intimate and inviting and that is instantly engaging to the listener. John has expertly woven a musical tapestry with the songs on this CD that creates a relaxing atmosphere that caresses those listeners who delve deeply into the compositions. John’s musical sensibilities have been honed to a sharp point over the last decade and now he is comfortable crafting cohesive artistic visions like you will find on his latest release. The lush landscapes that John has created on this release are very revealing of his heart and underscores his impressive skills as a musician and producer. This album is very accessible and quite an enjoyable way to spend a few hours. That presupposes that you will want to listen to it several times the way that I did hence the few hours instead of just one. This album is due out on March 20, 2012 and you would do well to get your own copy to set out on your own journey. And of course this release is highly recommended by Ambient Visions.

Review of Into Forever by Frank Steiner Jr.

Frank Steiner Jr.’s latest release called Into Forever is just what the doctor ordered when it comes to spending a little over an hour relaxing and letting the stress of the day flow out of you through each of the 7 tracks that comprise this album. On the back cover of the album Frank states that he wanted to create a “musical fragrance to help listeners relax and unwind.” After listening to this CD several times I have found the music contained herein to be a contemplative and peaceful selection of songs that gently washes over your consciousness allowing you to drift along with Frank’s soothing piano playing which is the foundation of all the music that you will find on this album.

There is an ethereal feel to the music throughout all of his compositions that gives you the feeling of floating on waves of light after you have acclimated yourself to the world that Frank has created through his songs. This process doesn’t take all that long and before you are even half way through the first track called Love’s Whisper with its rich emotional sounds you will find yourself dislodged from the day to day grind and for the next hour you will find yourself wandering the tranquil soundscapes that Frank creates with his piano.

It is obvious that the music on this album was composed and recorded so as to not break the mood and the flow of the CD. Each song seems to fold into the next maintaining the same serene qualities as the song that came before it. I very much enjoyed this fact because I was not jarred out of the soothing cocoon of stillness that wrapped around me with the first song and continued right on through the last track called Mystery’s Invitation. Many times these albums will be used in their entirety as background music for Reiki or Massage sessions, sleeping or for meditative purposes and it is critical that the mood is maintained. Frank has done an excellent job of immersing the listener in an environment of peace for the entire 60 odd minutes that this album plays.

The tracks on this album range from the shortest which is 4:58 up to the longest which is 14:59. Most of the tracks are of the 6 minute or longer variety and the only reason that I mention it is that the tracks tend to be perfect for allowing Frank the time to effectively create these peaceful landscapes. Oftentimes on shorter songs you feel like you are just getting started when the song comes to an end. With these longer compositions Frank is allowed the time to develop the song and engage the listener more fully in the experience which in turn deepens the overall effect of serenity that pours over you as you listen.

From the gentle synths that ebb and flow behind Frank’s piano on songs like Sparks of Love to the bird sounds that ever so gently appear on Lead Me to You or the tinkling wind chimes on Love’s Whisper Frank has created a gentle and comfortable realm where the insistent call of the physical world is left behind. You will find that Frank’s music wanders the ground between ambient and new age while executing each style effortlessly and with a masterful touch on the keyboards. The sound quality is impeccable and his music has a captivating flow to it that instantly engages the listener. You will find much to love about this album and when you are done listening to it the first time you will probably go back for seconds or thirds as the music allows for multiple listenings without ever becoming tiring. This is an excellent effort by Frank Steiner Jr. and is certainly recommended by Ambient Visions.

Reviewed by Michael Foster editor Ambient Visions

Review of Stellar Connection by Thierry David

From the opening track called Portal Quest with its dark and brooding textures you know that you are leaving the confines of this galaxy to journey through the cosmos via the music on Thierry David’s latest release called Stellar Connection. This is his fourth release for Real Music and this album offers us a mixture of ambient, space and some densely atmospheric pieces that are filled with piano and synths that give you the sensation of flight and of soaring through space. By the time that you reach track four which is called Surfing the Blue Orbit the music has morphed into something a little more rhythmic but not overly so. The piano is still the underlying foundation of the music but there are some synthesized versions of Bali bells which gives this song a unique character of its own.

A few of the songs have hills and valleys within the compositions in which the song moves from a rhythmic beat to a pause where the beat momentarily disappears and you are left floating in space with an opportunity to briefly take notice of where you are. The beat returns and your journey resumes with new and interesting sounds to act as road signs along the way. The music manages to maintain a shadowy feel to it that completely compliments the idea of moving through the darkness of space in the vastness that is the universe. You never really feel that the darkness is a threatening thing but rather it feels like a dark night where you look up at the stars in wonder. There are many compositions among these 13 tracks that would be perfect if used within a sci fi movie or perhaps a TV show that deals with the strange and mysterious.

Stellar Connection runs a little over 62 minutes and during this hour the songs keep you on course for the stars the entire time. Thierry David manages to always aim you towards even darker space with music that is slow-moving and filled with spaciousness without wandering meaninglessly. There are many deep passages in these compositions including the final track called A Silent Voice Answers which leaves the listener in the void without bringing them back home.  The music leaves you pondering the infinite reaches of space and fades out while you remain floating until the music is gone. I can see this music as being something that would work well with inducing a serene state of mind or even with doing some mediation but it is a little dark for going to sleep by. Of course I’ve used Craig Padilla’s Vostock to go to sleep by so perhaps you might find this to your liking as you drift off to sleep as well.

I am partial to the ambient music that adorns the beginning of this album so some of my favorite tracks are Plenty of Space, A Long Crossing and Surfing the Blue Orbit each of which seems to flow together almost as if they were a longer composition broken down into three tracks. I would classify these three tracks as the heart of this space voyage and which sets the mood for all that is to come. Surfing the Blue Orbit does begin to add the rhythms that will become more prominent through the rest of the album but it still fits in well with the first two songs. My other favorite track on this album is track six which is called Feeling a Stellar Pulse and as the name implies there is a pulse contained within this song. It sounds like a frame drum that punctuates this song with its beat but I think in reality it is called a Wavedrum.  It is well done and if I didn’t know any better I would swear that someone was playing a frame drum on this track.

All in all this is an excellent album that would be good as a background for certain activities like reading, meditating and even sleeping too depending on the mood that you are trying to achieve as you fall asleep. Thierry David does indeed create the soundscape that he set out to when he called this album Stellar Connection. Thierry David has created an immersive environment in his compositions and he takes the listener on a sonic journey with his imaginative compositions that are both mysterious and enlightening. The music on Stellar Connection conveys wonder and awe and is filled with a dense undercurrent that acts as a foundation for the otherworldly journey that the listener has embarked on. This album does not disappoint and is something that I would recommend to the readers of the Ambient Visions website.

Reviewed by Michael Foster editor Ambient Visions

Review of Enchanted Piano by Kevin Kern

For the last decade Kevin Kern has shown that he has a flair for new age music and he is both a talented performer as well as a creative composer. As Kevin speaks of his bond with his piano you would think that he was talking about a person with whom he had spent a lifetime walking and talking with. As you listen to him playing his compositions from the Enchanted Piano album on his beloved Steinway B you will find yourself entering into that same friendship along with Kevin. If you open your heart and your mind you may walk away from this album with a better understanding of yourself and of the bond that Kevin feels with this his favorite musical instrument.

Enchanted Piano is not a new album per se but it is Kevin’s first solo piano album where it is just Kevin and his Steinway B and nothing else. The songs that he chose to play are a tribute to his fans because they represent the songs that have touched the hearts and souls of his listeners over the years. Kevin like any successful musician receives mail or e-mail from his fans letting him know what they thought about his music and how it touched their lives. Oftentimes music has a way of helping people through the rough periods of their lives by allowing them to still their minds and quiet the tumult that is assaulting them from without. It allows people to turn within and find the strength that lies at the heart of their being so that they can face the next day no matter what circumstances are awaiting them. Kevin has taken these recommendations of the songs that have helped people the most and has created Enchanted Piano as a way to put all of his most powerful music in one place.

The album consists of 11 songs and runs about 43 minutes in length. While the overall feeling of the album is very contemplative in nature it does have a little variation in the themes that the music covers. While some compositions evoke a feeling of serenity or tranquility there are other songs that feel more celebratory or bring to mind a happy or joyful event in one’s life.  It is apparent throughout all of the songs that Kevin has had an enjoyable time crafting this music as an expression of those feelings and emotions that we all have and at times have a hard time expressing. His music invites you to let go of those things that are holding you back and to soar to the heights that your heart and soul can imagine.

Kevin’s music has a way of relaxing and inspiring the listener at the same time. His skillful playing which started when he was a little over a year old has matured over the years to the point where now he has achieved a mastery of the instrument that allows Kevin to communicate his emotions through his fingers on the keys of the piano.  This is a solo piano album which has stripped away all else so that we are left to immerse ourselves in Kevin’s passionate love for this instrument. You might think that an album that was simply a man and his piano might lack the depth that an album with full instrumentation might offer and in that you’d be wrong. There is nothing that I would change about the simplicity and the heartfelt emotions that this album communicates.

This disc stands out as a winner and an absolute classic in the choice of the compositions to include and the performances given by Kevin Kern. While the album can be put on in the background while you are doing other things I think that you owe it to yourself to sit down in a comfy chair and listen to this album in its entirety to fully appreciate the music that has been included. Kevin’s musical sensibilities are impeccable and this album should win him new fans right along with giving his existing fans a cause for celebration. My favorite tracks on this album were hard to choose as all of them are beautiful in their own right but I found Through the Arbor, Sundial Dreams and Hide and Seek to be the songs that I would return to again and again. This album is definitely recommended by Ambient Visions.

Reviewed by Michael Foster editor Ambient Visions

The Streaming Savior?

Welcome to November AV readers. I hope that you are ready for the onslaught of the holidays and of course the cold, snowy weather that is right around the corner for a large portion of the United States. Of course there are millions on the east coast who don’t need to be reminded about the change in seasons as they were blasted with an unexpected fall snowstorm that took out the power to large swaths of the storm’s footprint. I hope that power has been restored to most of them at this point because it is miserable and dangerous spending extended periods of time without power during the cold that accompanies these storms. It certainly is a depressing way to start this portion of the year since if it is starting in late October then what in the world do we have to look forward to for the rest of the winter months.

In regards to my last blog I wanted to thank the two brave souls who responded to my request and offered support and assistance to help Ambient Visions stay on the web. Your thoughtfulness is very much appreciated. The other side of this coin is that there was a deafening silence from the majority of the readers of AV. I’m just going to take that as a mandate that we are all on our own and it is the survival of the fittest out here on the web so if AV doesn’t survive then that is what is meant to be. I can accept that. I still believe that the future has not been written yet and our actions in the here and now can still alter what is to be. I will continue to “kick against the darkness until it bleeds daylight” and hopefully AV will still be around to celebrate those brighter days.

On to other subjects. I have been noticing a growing discontent from artists who feel that the streaming services are really just exploiting their music for pennies a play while companies like Pandora, Rhapsody, Spotify again reap the majority of the benefits from their deals with advertisers and with the labels that they acquire the music from. There are also some ideas that those artists who are signed by large labels are getting very little of the streaming revenue while the labels themselves continue to set themselves up to receive the lions share ahead of anyone else. That has always been their business model though so I’m not sure why anyone would be surprised by this. They are doing what every other large corporation in America is doing which is looking out for their bottom line, their investors and the salaries of the CEOs before they even consider the artists or the general public.

I have heard some rumblings about this topic from smaller indie artists as well so I’m not sure if the same situation exists for them as well or not. How does it affect sales of titles when it can be streamed? Does it return enough money to make it worthwhile? For some reason I thought I would be very happy when people began to finally switch over from illegal downloading to some sort of legal streaming format so that artists were going to be fairly compensated for their work but now it appears that even this silver lining may have darker clouds lurking just behind it. I worry that artists will eventually give up their creative pursuits because they can no longer afford to release their music. Or the only music that will be released will be from those who wish to give away their music because they have a day job that allows them to do it. That is ok for those who want to make music simply for the joy of it and share it for free with others but there are many artists out there who are actually trying to make a living like any other person who has a skillset that others find useful or entertaining.

I’m not sure if the downloaders who don’t pay for this music realize what will happen once the artists start to quit. All the variety and all the unique voices and music that we are so used to having with us each and every day begins to dwindle away. All we will be left with is music that is created by corporate money designed to appeal to the lowest common denominator and that will be it. All the other indie artists will have faded away and gone back to day jobs that have nothing to do with music. I for one would find such a world lifeless, dull and monotonic with all the musical life sucked right out of it by corporate labels and corporate radio that played only the music that was top 40.

I hope that the even as Scrooge asked of the ghost of Christmas Yet to Come “Are these the shadows of the things that Will be, or are they shadows of things that May be, only?” that we will realize that we can change the future by acting differently in the here and now. Streaming is legal from many services now but artists still need your help to continue on the career path that they are walking which is one that we want to keep them on. If you like an album from your favorite artist or a new artist that  you discovered via a streaming service then think about helping them by buying the album or the tracks straight from the artist. Cut out the middlemen and put the money straight into the hands of the artist who created it. Just like the trickle down economy has not worked for any of us no matter what the politicians or the corporations would have us to think so the trickle down of streaming pennies will probably not be enough for artists to survive on. The more you cut out the corporate middlemen such as iTunes, Amazon or any of the other services that take a slice of the pie the more money that will be funneled to the artists directly. If they have buy buttons on their websites use that instead of heading off to a corporate site. Listen indie and buy indie. Keep musicians making music.

The Future is Not Yet Written

The cooler winds of October have been blowing for ahwile now and Thanksgiving and Christmas are looming directly ahead. The outdoor work of summer is giving way to spending time inside sitting by the fire reading, catching up with social connections that may have been pushed aside while trying to keep up with outside work and of course catching up with the latest music or videos that did not seem so pressing while the sun was shining in the windows during the spring and summer.

Much has transpired during 2011 and I wanted to bring up something that I have never done before and that is how Ambient Visions manages to pay its fees for hosting and for domain name renewals. Ambient Visions has always been something that I did out of the love for the music and a desire to help those who make this music to find an audience large enough so that they can continue to make that music in the coming years. Ambient Visions has never done advertising or banner ads other than what I decide to put up there to help artists gain some recognition. Any fees or hosting charges I have been more than happy to take care of over the past 12 years but in June of 2011 I was let go from my day job and have yet to find another job. To make matters worse my wife was just laid off from her job last week so we have gone from a stable income to nothing in a matter of a few months.

I’ve never been one to make my problems public because I figured that no one really wanted to be bothered by hearing someone else’s sad story on a website that was meant for talking about music. I decided to do something subtle which was to add the following statement to my page, “Have you enjoyed Ambient Visions these last 12 years? Help support AV by clicking here” and the clicking here was a link to a PayPal donatinon page to help make sure that I had the money to host the domain and to pay for domain renewals as they came up. I’m assuming that this statement was too subtle because nothing came through on that at all. I just wanted to be a little more direct about the whole thing by writing this blog piece.

I’ve made appeals in the past to those who might like to write for Ambient Visions or for feedback from the community about certain issues or trends facing the ambient/new age community and for the most part never heard a word back. I’ve actually heard this from others over the years that the ambient/new age community is not the most vocal community when it comes to interacting with each other about the music that we love. Ambient Visions has been doing more traffic year over year for quite some time now and doesn’t show signs of letting up. I would hate for this website to have to disappear because I had to make a choice about putting food on the table or gas in the car or paying for hosting fees and domain registrations.

I am not going to drag this out at all and I won’t repeat it in future blogs. I wanted to plainly ask the community to help support Ambient Visions as AV has supported the music over the past 12 years. I would like to see the site continue for another 12 years or more but I need your help to do that. Please consider donating to Ambient Visions via the link on the front page or the link on the left of this page just under my picture. Star’s End and other public radio shows hold fund raisers each year to help offset their costs and this is the same as that. If you have found AV to be helpful over the years then please help it survive into the future. End of request. I’m not much for asking for help and I won’t do it again. Once is enough. The rest is up to you. Think about it. Oh and if anyone would like to write articles or reviews for AV I’m more than open to that as well. Figured I would get that in there while I had your attention. We now return you to the regular Ambient Visions website already in progress.

 

Have you enjoyed
Ambient Visions
these last 12 years?
Help support AV
by
clicking here

Social Networking and Musicians

I have talked to some artists over the last year or so and it started me wondering if social networks have made the lives of musicians easier or has it simply added one more thing that needs to be done to the business end of being a public figure. There was a time in prehistoric times somewhere back in the 1970′s, 1980′s and a little bit into the 1990′s when musicians and performers were rather elusive creatures that you only spotted when they were out touring, when they were promoting a new album or if they popped up as a news item in Billboard or Rolling Stone magazine. They lived a rather reclusive life and were pretty much aloof from their fans and the press. They went about their business of making music, doing the obligatory press appearances and for the most part not interacting with their fans directly unless they signed a picture that got sent out by the PR person who took care of handling fan contacts.

Then along came the Internet and unless the artists were the Rolling Stones or some other super group they suddenly had a website and direct contact with their fans. Mostly through e-mail but it was a huge leap in that now fans could speak directly to an artist and get a direct answer…sometimes. It also meant that artists could hear immediately what fans thought of their music shortly after it hit the streets or sometimes even before it hit the streets…different story. That was a huge leap but it didn’t end there. Then came MySpace. Then came Facebook. Then came Twitter. Then came Google + and those are just the major ones. There are other ways out there to connect with your favorite musician and spend time getting to know them like you could never know an artist in days gone by. Mostly this relationship worked both ways in that it allowed fans to get inside the minds of those who were creating the music that was a part of their lives and it gave artists a chance to cultivate new fans and to reward loyal fans with inside information about artist that they cared so much about.

What it also added to the mix was more responsibility to the artist on top of what they already had to take care of to keep the business end of their music moving forward and to have the time to be creative and write new music. Now artists had to become adept at the new social networks and get out there and update their pages or accounts on a regular basis. This could be done via an assistant who was responsible for updating all the pages or they could do it themselves. An assistant costs money unless you can find someone to do it gratis and if they do it themselves then they have to invest their valuable time in creating this online presence instead of creating new music. Start to get the picture as to why social
networking might be a mixed blessing for artists?

There is an expectation on the part of the fans that any given artist should have a presence in all of the major social networking sites and when they don’t find them there they wonder why not. Since practically all of the ambient/new age artists are independents with only a few exceptions it is also critical that they take any avenue available to them to present their music to their fans and thereby getting some sales for their music as well. So the Internet has increased an artists visibility to extend for all practical purposes to the entire world or anywhere that has Internet access but it also has added more work to the artist’s plate to make use of these platforms so that they can take advantage of these new market opportunities. So the indie artist has to handle the business side, the creative side, the social side and even the touring side if they go out and do live concerts. And since they are an indie artist this all has to be handled by them since they are pretty much a one person show in all of these regards. Oh and did I mention that since many of these artists don’t make enough from their music to make a living at it they also have to hold down a full time job as well? I didn’t so throw that on top of everything else.

So social networking is great for the fans since it allows us access to artists that we normally would not have ever had direct contact with but you’ve got to wonder if the artists are just as happy to see more social networks pop up every year as we are. So the next time that you say that you wonder why a certain artist hasn’t tweeted enough or you haven’t seen any new posts on their Facebook page you might want to cut them just a little slack and remember what it takes to be an indie artist these days with no label support. Just some food for thought. See ya next time.

Michael Foster, editor
Ambient Visions
http://www.ambientvisions.com

Has Music Lost Its Value?

We live in a time when the floodgates of music have been opened and there is a rising tide of music of all types and genres available at your fingertips day in and day out. We are plugged in via our smartphones, we carry huge libraries of music with us  on our portable MP3 players and if we want satellite radio or USB plugs in our car stereo will keep up connected to music as much as we want. When we get home we can stream music through Pandora, Rhapsody, Spotify and hundreds of other podcasts and broadcasts both online and terrestrial radio stations. We can stream through our DVD players or game consoles and of course for us old timers we still have great sound systems set up in our homes that we can play good old fashioned CD’s. I said old fashioned because at some point in time I think that we will see even these shiny discs disappear in favor of an all digital way of transporting and playing our music at home and in our cars.  In fact it was just announced this week that Ford Motor Company plans to drop in dash CD players in their European cars for now but it won’t be long before that is the case here at home too.

At first I was very happy about this flood of music and I wallowed in it like a pig in…well you know what pigs like to wallow in but as we go deeper
into this cycle I’m not so sure I like how it is all turning out. There was a time in the past that I wished that I could listen to everything I had even a remote interest in as far as music goes knowing that something like that would never happen. Fast forward to 2011 and now that wish is a reality. There are millions of songs to listen to all while sitting at my computer or streamed through my home sound system and you now what…I don’t physically have the time to listen to all the music I would like to. There are not enough hours in the day to listen to all the music that is now available to me. And with the broad tastes that I have cultivated over the years that leaves me with so many choices that it boggles my mind just trying to choose which piece of music I will listen to for the night.

Do I choose something that I have listened to for years because it is like eating comfort food and will bring me a feeling of stability in a world that is changing so rapidly as to defy us to keep up? Or do I feel adventurous and want to sample some new music by artists that I have never heard of before? How do I choose which of these new artists that I will give an hour of my time to? Time has become a precious commodity when there are so many options as to how it can be spent. The latest movies which can be streamed to my television set, online e-zines or blogs, news sites to keep up with the world, social networking pages to keep up with friends or maybe I just want to sit and read a book but even that is becoming harder because now I can choose from thousands of titles that are as close as my Kindle. Music is suddenly competing with a myriad of entertainment choices and everything is blending together in a fast paced blur that is daring us to figure out what to do on any given night.

I have noticed that many artists are opting to give away a song as a way of tempting listeners to stop by their site and check out their music. Some of the netlabels are pretty much giving away whole albums under the Creative Commons License which is great for exposure but are we setting up future followers of this type of music to expect not to have to pay for music because it has been given away so much? It is already difficult to find the time to listen to much of this music so if whole albums are being given away  and you can download them with a click of the mouse does the music have the same value as it had when you paid good money for it and you held it in your hands? When I used to buy CD’s it was a special thing to bring one home and break open the plastic and pop the disc into the player. Lack of money meant that I only bought one or two a week at the most so I had the time to devote to devouring it and really listening to it. There are weeks now that I have downloaded 10 or more albums without even taking into consideration that I can go online and stream other new releases through the one service that I pay for right now which is Rhapsody.

The very fact that we have tons of music to choose from now is the very thing that is making music less valuable than what it was before. There was a lyric from a great little song called Very Busy People by the Limousines that said “I’ve got an iPod like a pirate ship, I’ll sail the seas with fifty thousand songs I’ve never heard” and I’m afraid that might be the fate of a lot of the music that floats around on the internet for free or that we obtain for no price at all. I’m just throwing this out for discussions because as a long time follower of ambient/new age music I want it to flourish and gain a new audience so that the artists will be able to continue to make this great music for years to come. If it gets lost in the flood of music that is currently pouring out onto the net or diluted to the point that it disappears beneath the waves of new titles that pour onto the market every Tuesday then it would be a great loss for those of us who have listened to it for decades. The way I see it is if the quantity of music can confuse those of us who have followed it for years then newcomers to the genre are going to be overwhelmed by the amount of releases that are positioning themselves to be heard these days and since most of us don’t just listen to ambient/new age exclusively it really becomes difficult for
everyone to get their piece of our attention.

It would be a shame to see music become something less than the unique pieces of art that they are or that they would be downloaded and then forgotten as they sit on hard drives filled to overflowing with other pieces of music to be listened to. It’s like the person who loves television and Tivos all their favorite programs but eventually the drive fills up and the person realizes that they will never have time to catch up so they erase the drive and start over without ever watching those shows that they recorded. Is that where we are heading with music? Will we place so little
value on it that we will erase it without ever listening to it because it was free to begin with? I hope not. See ya next time.

Michael Foster, editor
Ambient Visions

http://www.ambientvisions.com

 

2Cellos…wow!

I just had to add this video here after I saw it. The duo is on Sony Masterworks but they do high energy cello renditions of pop songs. I can see why they are attracting attention. The song below is a cover of Guns N’ Roses Welcome to the Jungle but done on solo cellos. Yeah I know, how can that be any good? Just listen and believe it can be done and done well.

 

New video from Joel Styzens

I received an update via e-mail about Joel and his music and there was a link to the following video included. Wonderful trio work on this song. I’m sure you will enjoy it as much as I did. Take a listen.