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Reviews 03-07-2004 |
Music Reviews |
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Ambient Red Washes by Larry Kucharz |
Reviewed by Jim Brenholts |
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Texture Maps: by Steve Roach |
Texture Maps: The Lost Pieces, Vol. 3 is a set of unreleased compositions from the creative enclave of the TimeRoom, Steve Roach’s natural habitat. These eight tracks represent the emotions and feelings from significant eras over the previous 17 years of Steve’s life. The brilliance of his vision allows these pieces to flow evenly and smoothly. The continuity of the spiritual responses is stark and evident. Yes, there are several responses and, while each has its own legitimacy, they are intertwined and dependent on each other. This is atmospheric minimalism as only Steve creates. The vivid colors of the musical tones cover the entire spectrum. The shamanic qualities and overtones create warm environs for deep meditation and contemplation. Reviewed by Jim Brenholts |
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Calling Down the Sky by Robert Rich |
Inclement weather – in the forms of windstorms, tornadoes,
torrential flood producing rains and electrical storms – followed
Robert Rich across the USA on his tour in the summer of
2003. (Having been involved in promoting his It is always difficult to describe Robert’s music and
presumptuous to review it. On the other hand, there is much gratification and
humility in sharing thoughts and opinions with others. From the opening moments to the final fade, these 26 individuals had it all! The warmth and intimacy that are Robert’s most endearing traits caress the entire experience. He is able to translate that to the recorded medium. His electronics are perfect. His pedal steel sings gracefully. His flute is melodic and pure. In short, this CD is flawless. It captures the pure essence of the live e-music experience. Reviewed by Jim Brenholts |
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True Degrees of Freedom by Zero Ohms |
True Degrees of Freedom features Richard Roberts, a.k.a. Zero Ohms, doing what he does best – quiet introspective minimalism with depth, clarity and soul. He combines his multi-instrumental talent with some offbeat samples to create “surround sound” atmospheres. He adds a lot of layers and processes to deliver a flawless soundscape. These short to mid range (5’ to 12’) pieces have their own rhythms but are essentially beatless. Richard has very quietly and deliberately become one of the community’s brightest e-minimalists. He has risen to the perpendicular universe with this disc, one of 2003’s best!
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